Subjects of Spanish Paintings

By Artists El Greco and Velazquez of the 16th and 17th Centuries

© Suzanne Hill

detail of The Surrender of Breda, wikipedia commons in public domain
What are the subjects doing in the paintings of these 16th and 17th-century Spanish masters; where can visitors see these paintings today?

Q. What is the central angel in El Greco’s “Burial of Count Orgaz” (1586-1588) doing?

A. Transporting the Count’s soul to heaven.

This painting by Spanish master El Greco is clearly divided into two zones: the heavenly above and the earthly below. In this work, the artist portrays the soul of Count Orgaz (the baby figure in the middle of the painting assisted by the central angel) ascending to heaven while his body is being lowered into a coffin. The figures holding the Count's body are the spirits of Saint Augustine (San Agustin) on the right with miter and bishop's cloak, while Saint Stephen (San Esteban) is the young deacon on the left. In the bottom left corner of the painting there is a small child pointing at San Esteban's sleeve. The model for this child is El Greco's son. The only other figure in the painting who is actually looking out of the painting, toward the viewer, is El Greco himself. He is in the back row and he appears above an upraised hand immediately above the head of San Esteban.

The painting illustrates a popular legend that is supposed to have occurred in 1312. The devout Count Orgaz, whose real name was Don Gonzalo Ruiz de Toledo, was a religious man respected for his humility. The Count had been involved in founding a convent dedicated to San Agustin and had left provisions in his will for a dedication of a church to San Esteban. At the moment of his burial, a miracle occurred as the two saints appeared and laid the Count to rest in his grave.

Today the work can be seen at Santo Tome in Toledo – the chapel, indeed the supposed scene of the legendary event, for which it was ordered and where it has remained since its creation.

Q. What is Justin of Nassau in Diego Velazquez’s “Surrender of Breda” (c. 1635) doing?

A. Presenting the key of the city of Breda to the Spanish commander, Ambrogio Spinola.

Justinus van Nassau (1559-1631) was a Dutch army commander known for failing to defend Breda in the Netherlands against the Spanish. In 1625 he had to surrender Breda to Ambrogio Spinola Doria, an Italian general in the service of Spain, after a siege of 11 months. The depiction of his surrender has been made famous in this painting by Spanish master Diego Velazquez (1599-1660).

Velazquez was a leading portrait artist and was court painter for King Philip IV.

Today the painting can be viewed at the Museo del Prado, Madrid.

Sources:


The copyright of the article Subjects of Spanish Paintings in Baroque & Rococo Art is owned by Suzanne Hill. Permission to republish Subjects of Spanish Paintings in print or online must be granted by the author in writing.


detail of The Surrender of Breda, wikipedia commons in public domain
The Surrender of Breda, wikipedia commons
     



Post this Article to facebook Add this Article to del.icio.us! Digg this Article furl this Article Add this Article to Reddit Add this Article to Technorati Add this Article to Newsvine Add this Article to Windows Live Add this Article to Yahoo Add this Article to StumbleUpon Add this Article to BlinkLists Add this Article to Spurl Add this Article to Google Add this Article to Ask Add this Article to Squidoo